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The Synth-Pop Duo's Creative Genius Dave Ball Passes Away, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) formed Soft Cell with Marc Almond in Leeds in 1977

The talented musician, a key member of the pioneering 1980s synth-pop duo Soft Cell, has passed away at the age of 66.

Alongside singer Marc Almond, the team achieved a global success with their cover of Gloria Jones' Tainted Love in the mid-80s, and their first record their initial full-length release is considered a classic of synth-pop.

He subsequently founded the innovative electronic act The Grid, who achieved chart success with their 1994 single the hit Swamp Thing.

Ball died peacefully in his rest at his residence in London on Wednesday 22 October, just weeks after performing a featured performance with Soft Cell at the Rewind music event in the Thames-side town.

Recent Health Challenges

During that show, Ball appeared in a wheelchair, as he had for the previous couple of years, after a period of ill-health.

"I ended up damage myself quite a bit," he commented in a recent interview. "I broke spinal bones in my spine and cracked about multiple ribs and fractured my arm."

Following catching pneumonia and suffering from blood poisoning, he was placed in an medically-induced sleep and remained in hospital for seven months.

Nevertheless, he had been in "high spirits emotionally" over the summer, as he worked on a fresh record with Almond, titled the upcoming Danceteria, which is scheduled for publication in the coming year.

"He was focused and so happy with the latest project that we actually finished only a few days ago," stated the singer in a tribute.
"It's truly heartbreaking as next year was all set to be such an uplifting time for him, and I find comfort from the fact that he heard the completed album and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the electronic music scene in the early 1980s

Tributes

Almond referred to his collaborator as "an exceptionally talented creative mastermind", adding: "He was the heart and soul of Soft Cell and I'm extremely pleased of our body of work.

"Thank you Dave for being an significant part of my existence and for the music you gave me. I couldn't be where I am without your influence."

His Grid bandmate from The Grid, shared his condolences, recalling Ball's "constant humor" and "unwavering friendship".

"Forming a duo with someone is distinct from joining a group, the connection is incredibly close," he added.
"That's how it was with us. We experienced so many extraordinary, incredible, memorable moments together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in 2018

Formative Years

Born into a single-parent household in the city of Chester in 1959, Ball was given up for adoption when he was a year and a half of age.

He grew up in the seaside town with his new family Donald and Brenda Ball, who altered his first name from his birth name to his adopted name, alongside his sibling his sister, who was similarly welcomed.

He met Almond at Leeds Polytechnic in 1977, where they were both learning art. Fuelled by a mutual passion of a music genre, they formed Soft Cell the same year, and quickly recorded an extended play.

Creative Collaboration

The pair were an unusual combination: Ball was the reserved musician, hunched over his keyboard, while Almond was a flamboyant showman, all glitter and eye-liner; but they attained a rare musical alchemy.

Ball had cultivated a fascination with synthesizers after watching Kraftwerk perform on a television science show Tomorrow's World, and started to combine dark electronica to the catchy tunes Almond was composing.

Their signature song became the United Kingdom's second most popular song of the early 80s, selling 21 million copies worldwide. Together with hits by other artists, contemporary bands and Ultravox, it contributed to paved the way for the electronic music style of the 1980s.

The song was also included on their first album, their initial LP, which produced two further top five singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the album up with the separate release, Torch, which reached at the second position in the following year.

Soft Cell in the studio
The duo were working on fresh songs right up until Ball's death

Career Highlights

Fame had its upsides. "I enjoyed being able to afford my first home, having money and travelling, which makes me sound like a beauty queen," Ball not long ago told with a publication.

But it also presented problems. "Newfound wealth meant we could purchase substances to relieve the boredom" of press appearances and TV performances, Ball explained.

"I know that's a common saying, but it's a truism for a valid cause, because it works for so many bands."

Amidst the hedonistic lifestyle, the duo were also drifting apart, but they succeeded to produce a follow-up classic album - the wayward, edgy and fittingly named The Art Of Falling Apart.

They put out another album, their 1984 release This Last Night In Sodom, before ending the group to focus on other projects.

Almond proceeded to have a successful solo career, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who combined acid house with ambient pop over a enduring partnership.

Later Work and Comebacks

Soft Cell reunited in 2001, releasing the Top 40 record Cruelty Without Beauty.

After a further hiatus, they returned in 2018, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a final performance at the large venue on 30 September, 2018.

Yet, they remained active, recording their fifth album, Happiness Not Included, during the pandemic restrictions.

Ball recently described the duo's new album as a tribute to the NYC nightlife they frequented while recording their initial records.

He added that his period in medical care had shaped the group's music.

"I experienced unusual memories when I was coming and going of the hospital because I was on morphine," he told a publication.
"Our latest tracks are a electronic representation of the sounds in my mind from those days.
"Simultaneously, it's about the experiences me and Marc got up to in the 1980s."

The final mixes were finished only days before Ball passed away. It is due for release in Spring 2026.

About the author

Craig Ramirez

Award-winning writer and educator passionate about helping others unlock their creative potential through engaging storytelling.

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